Something for The Weekend



With Britain being wrecked by two old Etonians this song is now more documentary than allegory.

Haven’t watched any live Jam videos for a long time and it was a pleasure to be reminded how bloody great they were. I made the right choice of favourite band when I was a teenager.

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I Have Twelve Inches


Looking around my iTunes library for a suitable track to go with the previous post I found this which I recorded off my 12″ vinyl copy a long time ago but never posted for some reason.

Remixed in 1982 from an earlier b-side, this a sleek Euro-disco groover that glides along on Mick Karn’s rubbery bass playing and some honking sax. I was never a huge Japan fan but this does make me want to suck in my cheekbones and go pose outside a Berlin nightclub. Hopefully I’d be allowed back in England after.

Download: European Son (Extended Remix) – Japan (mp3)

Anarchy in The UK


Well, this is a fine mess we’ve gotten ourselves into.

I’m all for people rebelling against the establishment, and I understand the impotent rage people feel against the forces of globalization wrecking their lives, but all the Brexit result will do is hand power from one bunch of rich toffs to another, ones who have since been shown to have lied about their promises and have no plan for what to do next. If voters outside London think those wankers are going to invest in them as much as the EU has they’re in for a rude awakening. I wish I could feel some schadenfreude over that but I’m too fucking angry.

As there seems to be some buyer’s remorse setting in, and with the economic consequences of Brexit already apparent (not to mention the potential break-up of the UK) some think that the next PM will bottle out of going through with it. But that will only enrage the hardcore Leavers and lead to a surge in support for UKIP from them — violence against immigrants is already on the rise. And just when you need a strong opposition to provide an alternative, the fucking Labour Party goes and implodes.

I really don’t see a good way out of this at the moment. Thanks Cameron!

Download: There’ll Always Be An England – Vera Lynn (mp3)

The Neon Lights are Bright


The Drifters 1963 version of “On Broadway” is a classic as any fule kno, but I also love George Benson’s live version from 1978, probably more so.

The Drifters’ rendition has a melancholy feel as if they didn’t really believe they could make it there, which was probably the case for a black man in early 1960s. Benson, on the other hand, sounds completely convinced that he will be successful, especially the way he shouts “Cause I can play THIS HERE GUITAR!” — which, given that he made his name as a Jazz guitarist, wasn’t just bragging.

While I tend to side more with the world-view of The Drifters version, it’s hard not to get caught up in George Benson’s peppy positivity. Plus, it’s funky as hell.

Download: On Broadway – George Benson (mp3)

Photo: The Lights of Times Square by Andreas Feininger, 1957

New Monday




Trying to describe the music made by English duo Let’s Eat Grandma has me reaching for the Encyclopedia of Music Genres to list all the styles they mush together: Indie, Prog, Psychedelia, Rap, Electronica, Folk, and even School Orchestras to name a few of them. They describe it themselves as “psychedelic sludge-pop” and while their childlike gothic vibe does sound a bit like CocoRosie at times, they’re more eclectic and prone to take strange detours.

Their debut album I, Gemini has just been released and it’s one the most surprising and off-kilter records I’ve heard in a while. Even more remarkable is that it was made by two 17-year-old girls from Norwich.

Bloody kids today. Lazy, selfish, making great debut albums.

Something for the Weekend


This was originally a #3 UK hit in 1969 but did even better in 1988 when it topped the charts because of its use in an annoying Miller Lite commercial. Usually that can put you off a song forever and the fact that it didn’t (well, maybe for a little while) is a testament to how great the record is. It’s a bit sappy but those soaring harmonies get me every time.

Not sure why they were performing it on a TV chart show in 1975 though.

The Bright Side of Life


The world is such a depressing place at the moment. Terrorism, mass shootings, beloved music icons dying, and politics on both sides of the Atlantic becoming a fucked-up mix of circus clown show and Nuremberg rally.

Being English I’m normally a gloomy, glass-half-empty pessimist but I find that having kids is the antidote to that. Sorry if this is a naff greetings card sentiment, but having them in your life (when they’re not complaining anyway) makes the world seem not entirely shitty. Booze helps too.

And music of course. Think I may have posted it before years ago but, what the hell, it’s one of the best extended mixes I have.

Download: I Could Be Happy (12″ mix) – Altered Images (mp3)

The Class Struggle


I used to belong to a Facebook group called “I Grew Up In Fulham” through which I reconnected with some old school friends, heard news about others, and even learned a few things about the history of my old manor. Most of the group were old-school, white working-class people, and sadly — with some decent exceptions — the majority of them were rabidly right-wing, nationalistic, immigrant-haters. I tried to argue with them and their bullshit for a while but eventually gave up and left the group because I got sick of seeing their nasty xenophobia in my Facebook feed. On top of that none of them could spell and I was almost as offended by their illiteracy as I was the racism.

There are stupid bigots in every walk of life but these were people who had grown up in the same neighborhoods and gone to the same schools as me, and I felt like an alien amongst them. I’m under no illusions about the British working classes being a bunch of bleeding heart liberals — I know they’d vote to bring back hanging tomorrow if they could — but it was a profoundly depressing experience that made me feel even further disconnected from my roots. I hated thinking “Thank God I got away from you people” because I’m proud that I grew up working class.

I was thinking about that experience when I read the article How I Became Middle Class by Lynsey Hanley in The Guardian the other week which is about the anxiety and identity crisis that can come with upward mobility. Like me, Hanley grew up on a council estate and went to a shitty comprehensive school, but managed to go to college and now has a thoroughly middle-class life with a job in a creative, middle-class profession — a writer in her case — so I related to a lot of it.

Hanley writes about feeling isolated growing up because she was interested in learning and not into doing the same things her friends were and, while I wouldn’t say I ever felt lonely, I know what she means. I was hardly a swot as a kid, but at my school anyone who was the slightest bit academic or read books for pleasure was seen as a teacher’s pet, bully-fodder, and probably a bit gay. Few boys stayed on for the Sixth Form and only two of us took A-Level English. They weren’t any help with my career either, I got into art school under my own steam two years after I left school. During that two-year gap I worked at a t-shirt printing factory where all the workers read The Sun at lunchtime while I had The Guardian which got me a few funny looks and comments. Over the years I’ve had temp jobs as a dishwasher, cleaner, and hotel porter and it was always the same: I was the smartypants who didn’t fit in there, even though my upbringing was the same as the other workers.

I never had any Billy Liar dreams of escaping my background but that’s what art school amounted to. Four years in that environment — and meeting a lot of other kids like myself — can make it very hard to really go “home” again. You still love your family and the friends you had before, but you’ve been shown this other world where you can be more truly yourself (I wonder if my Dad felt the same when he went from being a cab driver to stage manager at the National Theatre). Plus you now have a profession which pays enough money to buy yourself the life your new pretensions require.

But I don’t entirely belong here either because you can take the boy out of the council estate but never really take the council estate out of the boy. We’re not well-off by any means but make just about enough to send our kids to a private school for a few years (but not enough to keep them there longer) which I was often conflicted about. Hanging around with some of the richer parents would make me feel like a class traitor and I’d have to fight the urge to go all Class War on their BMWs. The smug assumptions of the liberal middle classes — and often total lack of experience with people who think differently — can be really annoying too, and make me want say something reactionary just to pop their cozy little bubble. And I love good food but there’s often this common voice in my head sneering that most middle-class lifestyle trappings like fancy coffee, craft beer, and artisnal tomatoes are all just overpriced, poncey bollocks. I may have gone from Carling Black Label to Côtes du Rhône, and tins of Heinz Ravioli to organic pasta from Whole Foods, but my favourite food is still sausages with HP Sauce.

Download: Ambition – Subway Sect (mp3)